EasyJet

Self-initiated · 2026

One song. One shot.
One window.

A four-part vertical film series that reframes the easyJet journey as the destination. One shot per piece. No cuts. The camera is the passenger. Each frame scored to a song whose title winks at flight or air.

Personal project. Not affiliated with or endorsed by easyJet.

The flight is the film.

Most airline work shows the holiday. This shows the flight. Most social content cuts hard and fast. This one doesn't cut at all.

Each piece is a single locked-off frame from a single seat. The camera never moves. There is no edit. The only thing that moves is the world outside the window, and the song.

The restraint is the point. A budget flight reframed as a meditation. A passenger seat reframed as a cinema.

Type Self-initiated concept
Year 2026
Format 4 × 9:16 vertical films, 20 to 40s each
Approach Single locked-off shot per piece
Note Personal project. Not affiliated with or endorsed by easyJet.

Four ideas, held steady.

The series runs on four principles. Kept simple, kept honest. Nothing tricksy, nothing over-produced.

The window is the screen. The song is the story. Everything else gets out of the way.

Four frames. Four songs. One return flight.

Tap any video to hear the soundtrack. Audio is central, each piece is scored to a single verse.

Tap for sound

01The Window

The introspective opener.

Dreamy Days · Roots Manuva

Classic porthole framing. Oval window, cloud layer, orange engine tip sitting in frame. Nothing moves except the clouds passing and the occasional shift of light on the wing.

Dreamy days, come what may, the world drifts by beneath the wing.

Tap for sound

02The Float

The ironic midpoint.

Sailing · Rod Stewart

Wing cuts across a sea of cloud. The composition does the joke without anyone having to point at it. The wing holds steady, the cloudscape drifts beneath it, and Rod Stewart swells.

A song about crossing water, laid over a picture of floating through sky.

Tap for sound

03The Descent

The energy piece.

Superfly Guy · S'Express

Sun flare slicing diagonally across the frame, orange engine anchoring the bottom, earth visible through haze. The image is dynamic on its own. The camera still doesn't move.

A late-eighties groove carrying a single, stubborn frame across thirty thousand feet.

Tap for sound

04The Arrival

The emotional closer.

Butterfly · Lenny Kravitz

Coastline reveal. Blue water meeting land, wing tipping gently toward approach. The soft landing, literal and emotional. Kravitz's warmth over the moment you realise you are nearly there.

Warmth on the descent. A soft song for the moment the ground starts rising up to meet you.

Get in touch

Captured, held, ready to post.

A spec campaign, shot in a single return flight. Written, directed, shot and edited by Matthew Fahey.

hello@matthewfahey.com